female fighting stories

  • Victory posing from Mabel

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Mabel wears a white strappy triangle bikini like in the pictures below or in the reference pictures within the script. I
prefer that the bikini doesn’t have ties, but if that is not available, that the ties are not too long. The bikini doesn’t have
to be super skimpy but should be sexy. It is up to Mabel to wear something that she is comfortable with.
Note: these ties are too long
Her footwear for the last part of the video is a pair of white stiletto sandals like in the pictures below or in the reference
pictures within the script. The height of the heel should be at least 10 cm and the sandals should have no platform.
For her makeup, I would like her to use the as in the video “Agent Mabel gets what she's supposed to”. For her hairstyle,
I like the one in “Invincible Mabel destroys the bunch of men”. In general, long untied hair. I also like the hair color in that
video, but blond is fine as well. I prefer that she has no manicure or pedicure.
MALE
Any male actor that is comfortable with and capable of realistically playing the scenes in the scrip is fine. Since I have no
specific actor in mind, I refer to him as John within the script. John is in general a bit insecure and shy. His outfit is only a
pair of black shorts like in the reference pictures within the script. The shorts should not go beyond his knees. And of
course the male actor has no makeup, manicure or pedicure, hahaha.
NOTES
The actors should not wear a mask.
I don’t have a specific length for the video. Any length is fine as long as it fits the script without unnecessary footage.
The actors (especially Mabel) don’t have to exactly copy the poses in the reference pictures. Actually some of them, like
the female character's arms fold pose, is a bit awkward. These pictures are just to give an idea of what I would like to see
in the video. Please try to make the poses look as natural and realistic as possible.
You can make cuts in the shooting whenever needed, for example, to let the actors rest, but please make them coherent.
You don’t have to compose with little background space between the characters and the upper and lower boundaries of
the frame like in my pictures. Also when shooting a close-up, you can adjust the composition if the initial one was off.
To make things easier, the cameraman could just print and read his dialogs because he doesn’t appear in the video. The
cameraman character could also be a camerawoman.
SCRIPT
INTRO
The video starts with both actors in the scene, and the cameraman explaining the shooting to John: “so John, you just
have to lie on the ground while Mabel poses on you. Mabel and I have already planned what to do. Your role is simple,
but to add realism, we had this idea: what if Mabel actually knocks you out? Mabel is a real martial artist and she said
she could do it, right Mabel?” John looks at the cameraman and Mabel a bit scared and is about to say something
against the idea, but Mabel speaks first: “sure, no problem. I told you that I could even make him fall in the specific way
you wanted”. The cameraman replies: “all right, then let’s begin. You know what to do already”. John looks more scared
now and still tries to say something, but Mabel grabs him from his wrists and moves him while calculating the right spot
where to position him. Once there, she punches John in the belly, which makes him bend in pain, and then she hits him
with an uppercut, which makes him fall knocked on his back with his arms spread to the sides (see picture p1.1 for John’s
pose). Then Mabel walks to John and stands hands on hips next to his torso facing the camera (John’s torso is in front of
Mabel) waiting for the cameraman’s input. The cameraman says: “nice. Now please stand on him and try to get used to
his body”. Mabel gets on John’s chest and takes a couple of steps in place. Then she confidently walks to his belly and
takes a couple of steps there as well. Finally, she positions herself like in picture p1.1 but with her hands on her hips, and
looking at the cameraman, she retouches her hair and then puts her hands back on her hips and says: "I think I am
ready". Mabel keeps her hands on her hips through all the action so far, except when she needs them to do something
else, like grabbing John or retouching her hair. All this action is shot from a frontal angle similar to picture p1.1.
Now posing begins. For each pose I include the cameraman’s instructions, comments when relevant, and some reference
pictures so you get an idea of the pose and a shooting angle I like. Mabel listens to the full cameraman’s instructions
before posing. For each pose Mabel should keep her lower body pose fixed but may change her upper body pose. For
example, she could be hands on hips, or flexing her arms and showing her biceps, or with arms folded, etc. She may also
look straight, or to the camera or down at John’s face (without bending too much). Please shoot each pose for at least 30
seconds (when possible) counted after Mabel has performed the cameraman’s instructions and from different angles:
frontal, low, rear, etc. Also keep the actors in frame while going between shooting angles. After shooting each pose, the
cameraman goes to an angle where he is facing Mabel to give the instructions for the next pose. Mabel remains as in the
last pose but with her hands on her hips and looking at the cameraman when listening to his instructions.
POSE 1
The cameraman says: “all right, for the first pose, keep standing on him like that”.
p1.1
POSE 2
The cameraman says: “now tiptoe with your right foot on his neck as if you were chocking him". If Mabel can tiptoe on
John’s neck without hurting him, please do so. If not, Mabel can tiptoe below the base of John's neck so the ball of her
foot rests on the upper end of his sternum and her toes rest on his neck.
p2.1
POSE 3
The cameraman says: "for this pose, stand on his chest with your left foot and tiptoe on the side of his head with your
right foot”. Mabel keeps her upper body straight (not rotated to the side) as much as possible and comfortable while
posing. John’s head is turned to his right when Mabel tiptoes on it. Mabel doesn’t have to apply a lot of pressure to
John’s head. It depends on how much the male actor is OK with.
p3.1
INTERLUDE
The cameraman says: “all right, onto the next part. Please knock him down as planned and then stand on his chest”.
Mabel taps John’s face with her right foot until he is conscious. She then steps off him and helps him stand up. John is
still a bit groggy. Mabel grabs him from his wrists, positions him with his back to the camera and moves him away from
it. Once she thinks he is on the right spot, she punches him in the face, which makes John raise his arms to cover. After
seeing this, Mabel hits him with a jump front kick to the chin, which makes him collapse on his back, with his arms
spread over his head (see picture p4.1 for John’s pose). Then Mabel puts her hands on her hips, walks casually to John,
and once she is between his legs and close to his groin, gets on him by stepping first on his belly and then on his chest,
where she stands like in picture p4.1. After retouching her hair, like she did before, she goes back hands on hips and
says: “ready”, looking at the cameraman. All this action is shot from a frontal angle like in picture p4.1.
POSE 4
The cameraman says: “all right, keep standing on him like that”.
p4.1
POSE 5
The cameraman says: “now tiptoe with your right foot on his chest”.
p5.1
POSE 6
The cameraman says: “for this pose, put your left foot on his belly, tiptoe on his chest with your right foot and arch your
back a bit”.
p6.1
POSE 7
The cameraman says: “OK, now strike the power pose I explained you earlier”. For the pose, Mabel rotates her body 75
degrees to her right and tiptoes on John’s upper belly with her right foot while keeping her left foot on his chest. Then
she flexes her arms, leans a bit to her left and turns her head a bit to her left.
p7.1
POSE 8
The cameraman says: “I was thinking that it would be great to shoot John kissing you foot. Do you think that’s possible?”
Mabel goes to stand on John’s chest with both feet and after looking at him, she replies: “I can make him”. The
cameraman says: “great! Let me take a good position”, and he moves to the close-up angle in picture p8.1. Then he adds:
“OK, go!”. Mabel turns John’s head to his right with her right foot and taps his face until he wakes up. She then threatens
him by rising this same foot as if she were going to stomp on his face, which scares him and makes him beg: “please
don’t hit me anymore!” Mabel replies: ”then kiss my foot”, and she lowers her right foot to his lips. John kisses Mabel’s
foot but only once and in a shy way, so Mabel tells him emphatically: “keep kissing!” which makes him kiss her foot again
and again (see picture p8.1). The cameraman continues shooting this action for five more seconds and then changes to
other angles (for example, see picture p8.2). Once done, the cameraman tells Mabel: “OK, I am done, you can shut him
down”, and Mabel stomps on John’s face with her right foot, which leaves him KO again. Mabel keeps her hands on her
hips through all the shooting of this pose and keeps looking down at John while he kisses her foot.
p8.1
p8.2
POSE 9
The cameraman moves to a the close-up angle similar to picture p8.1 and says: “all right, for this pose tiptoe with your
right foot on the side of his head”. The cameraman shoots from this angle for five seconds after Mabel has fixed the pose
and then goes to shoot from other angles (for example, see see picture p9.1). John’s head is turned to his right when
Mabel tiptoes on it. Mabel doesn’t have to apply a lot of pressure to John’s head. It depends on how much the male
actor is OK with.
p9.1
INTERLUDE
The cameraman says: “OK, for the last part please wear your shoes”. Mabel steps off John and leaves the scene to the
right. The video fades out and fades back in showing Mabel coming from the right wearing her sandals. She walks to
John and stands next to him, hands on hips, looking at the cameraman. The cameraman says: “all right... Hmmm... I think
for this part I prefer him with his arms spread to the sides, so could you please fix that?” Mabel moves John’s right arm
with her feet until it matches the requested pose. Then she steps over his body and moves his left arm in a similar way
(see picture p10.1 for John’s final pose). Once done, she steps over John again and stands next to him as she was before.
Mabel always keeps her hands on her hips. All this action is shot from a frontal angle like in picture p10.1.
POSE 10
The cameraman says: “for this pose, stand over him with one foot at each side of his torso”.
p10.1
POSE 11
The cameraman says: “now stand to his right, rotate 45 degrees and step with your right foot on his chest”. For this and
the next poses where Mabel steps on John’s chest or head, please make it look realistic, and if possible, without Mabel
holding back. Ideally it should look as if Mabel were stepping on stairs or a soccer ball. Hopefully that will not hurt the
male actor.
p11.1
POSE 12
The cameraman moves to the close-up angle in picture p12.1 and says: “for this pose, move your left foot to his armpit
and rotate 35 degrees back to your left. Then with your right foot turn his head to his right and step on its side”. Mabel
performes the instructions and the cameraman shoots from this angle for five seconds after Mabel has fixed the pose (see
picture p12.1). Then the cameraman continues to shoot from other angles (for example, see picture p12.2).
p12.1
p12.2
POSE 13
The cameraman says: “now go to his left, stand perpendicular to him and put your right foot across his chest”. Mabel
steps on John’s chest to get to his left side. If it is too dangerous for Mabel to step on him with heels without leaning on
something, then she just steps over him.
p13.1
POSE 14
The cameraman moves to a close-up angle similar to picture p12.1 and says: “for this pose, move your left foot to his
armpit and rotate 35 degrees. Then with your right foot step on the side of his head and turn it to his right”. Mabel
performes the instructions and the cameraman shoots from this angle for five seconds after Mabel has fixed the pose.
Then the cameraman continues to shoot from other angles (for example, see picture p14.1).
p14.1
INTERLUDE
The cameraman says: “I was wondering, would you be able to stand on him in heels?” Mabel replies: “yeah, I think so, if
I can lean on something”. The cameraman says: “then what if you knock him down next to that wall?” Mabel replies:
“OK” and taps John’s face with her sandal until he is conscious. Mabel helps him stand up and moves him a bit close to
the wall. John is again a bit groggy. Once Mabel thinks he is on the right spot, she knees him in the belly, which brings
him down on his knees holding his belly in pain, and then she moves to his right and elbows him in the nape, which
makes him collapse on his belly. After this, Mabel steps on John’s back to pass to the other side, turns to face his body,
and with her right foot, rolls it so John ends up lying on his back next to the wall (see picture p15.2 for John’s final pose).
Then Mabel retouches her hair, turns to the cameraman and says: “ready.” Mabel keeps her hands on her hips from
immediately after John collapses until the end of this scene. If it is too dangerous for Mabel to step on John’s back in
heels without leaning on something, then she can just step over him. All the action is shot from a diagonal angle.
POSE 15
The cameraman moves to the close-up angle in picture p15.1 and says: “for this pose, just stand on his chest with one
foot on each side but close together”. Mabel performes the instructions and the cameraman shoots from this angle for
five seconds after Mabel has fixed the pose (see picture p15.1). Then the cameraman continues to shoot from other
angles (for example, see picture p15.2). From now on, after shooting a pose, Mabel may step off John and remain
standing over him with one foot at each side of his torso and her left hand on her hip, looking at the cameraman.
p15.1
p15.2
POSE 16
The cameraman moves to a close-up angle similar to picture p15.1 and says: “now stand on him as before but tiptoe on
his chest with your right foot”. Mabel vs the instructions and the cameraman shoots from this angle for five
seconds after Mabel has fixed the pose. Then the cameraman continues to shoot from other angles (for example, see
picture p16.1).
p16.1
POSE 17
The cameraman moves to a close-up angle similar to picture p15.1 and says: “for the last pose, put your left foot on his
belly and tiptoe with your right foot on his chest. Then arch your back a bit”. Mabel performes the instructions and the
cameraman shoots from this angle for five seconds after Mabel has fixed the pose. Then the cameraman continues to
shoot from other angles (for example, see picture p17.1).
p17.1
EPILOGUE
After the last pose, the cameraman approaches Mabel and tells her: “excellent job Mabel! You did it great!” Mabel
smiles to the camera, and then the cameraman focuses on John and says: “you also did a great job John”. Then he tells
to Mabel: “maybe we should wake him up now”. Mabel approaches John’s head and taps his face with her sandal until
he wakes up. Then the video fades out while she helps him stand up.

Language: Russian with English subtitles

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Victory posing from Mabel

  • Brand: MABEL
  • Product Length: 19 minutes
  • Availability: In Stock
  • $17.99