female fighting stories

  • Mabel endures a Cyborg ordeal of stomach resistance

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Outline: Mabel is a proud young spy in her first intelligence mission. Her mission is to do some reconnaissance of a site where suspicious activities take place. As she is very strong and smart, she doesn’t follow the headquarters radio warnings, and falls prey of a Cyborg enemy guard. The Cyborg guard (if possible, Rob) neutralizes Mabel and relentlessly punches her in the stomach with no emotions and no pause. As she has been highly trained and she is very proud, Mabel withstands the punishment as much as she can, but her body resistance is overpowered and she loose her feelings three times.

Clothing: Mabel is in jacket, jeans and sport bra, no heels. She is not wearing heavy make-up (particularly not eye lashes or red lips). She goes as naturally as possible. She can be dressed the closest you can to http://heels4kicks.com/index.php?route=product/product&product_id=1183 or http://heels4kicks.com/index.php?route=product/product&product_id=1275 (with her shirt out). She carries a jacket that she loses after scene 1. She carries a pair of hands free earphones.

Rob can be dressed in the way he wants.

Mabel’s acting: As usually in my customs, it is best if Mabel doesn't shout, moan or cry. She contains her pain, only letting out short sounds, “oh”, “ah”, never too loud, like Valerie or Tiffany in the “test of abdominal resistance” series. When she is exhausted it would great, as a reaction, if the stomach punches make her freeze for an instant, then slowly breathe out. 

Rob’s acting: The Cyborg moves like a normal human, but his movements are perfect, and he is always silent and emotionless. His punches make contact with Mabel’s stomach, “penetrating” her midsection a couple of centimetres, and “staying” a few fractions of a second before bouncing (but no “twisting”). Most punches go to her upper stomach: above the navel and below the top of her ribcage triangle.

Camera: The camera is always close, no more than 1-2 meters away from Mabel and the Cyborg, and frequently making close-ups. Please mostly no far away room views. The camera always takes Mabel from knees to head, and it moves around her, occasionally closing up on her face and stomach. Other suggestions are made in the scenes script.

Dialogues: Russian, with English subtitles. If there are special sound effects, they shouldn’t be too loud (if that is the case, please keep a no-sounds-effect version, just in case).


Part 1 (about 3 minutes)

The camera fades in Mabel carefully walking down a hallway or stairway, with her jacket and her hands-free cell phone on. A voice from the phone says “Agent Mabel, you were told not to approach the Cyborg Gang quarters yet. You received a direct order!”. Mabel replies “Oh come on, don’t exaggerate, this should be an easy job for me”. The voice on the phone continues “Agent Mabel, leave the place immediately, previous intelligence shows the place is heavily guarded”. Mabel replies “No worries, I have weapons to stun stupid males (she touches her breasts) and to eliminate them (she touches her weapon)”.

Mabel hears a noise and goes flat against the wall, not to be seen. The camera makes a close up of her, resting a few seconds on her stomach and face. The voice on the phone insists “Agent Mabel, intel shows the place is guarded by Cyborgs, programmed for body blows no human can withstand. They especially attack human stomachs, neutralizing their capacity to breathe”. Mabel flexes her stomach and places her palm on her it, and replying “No stupid machine will break these abs” and she starts for the door.

A Cyborg (Rob) appears, blocking Mabel’s way. Mabel says “Is this doll one of their super toys?”. 

Mabel closes on Rob, pointing her weapon at his forehead. “See?” she says. “Easy job”. The voice on the phone goes “Agent Mabel, this is a last warning, don’t underestimate the Cyborgs”. Mabel starts to say “I can beat these… OH”. The Cyborg grabbed the arm where she held her weapon, and with his free arm he delivered a strong blow into Mabel’s stomach. Mabel doubled forward, stunned, unable to regain her breath. The voice in the phone goes “Agent Mabel, are you OK?”.

But the Cyborg has pushed Mabel against the wall, pinned her with his two arms, and started ramming his knee into her stomach. The camera takes a close-up of the knee attack. The impacts aren’t fast, but they go all the way under Mabel’s breasts. Mabel says “OOF!” (as the impacts make her blow her air away). After 4-6 knees, the Cyborg lets Mabel go and she slides to the floor, eyes and mouth wide open, grabbing her stomach. The camera makes a close-up of her frozen face. The voice on the phone says “Agent Mabel, agent Mabel, please respond” to no avail.

Rob straightens Mabel up, pinning her against the wall and securing her arms behind her back with one of his arms. “Oh” says Mabel, still speaking with difficulty, “So here comes the romantic part”. Rob starts to pump punches into her stomach with his free arm. Punches are not strong but there is practically no pause between them. Mabel’s mouth forms and “o”, surprised by the strength of the punches, rapidly losing capacity to breathe. After a dozen punches, Mabel seems on the brink of be out and becomes hanging on Rob. Rob straightens her up and starts to deliver critical uppercuts, going deep into Mabel’s stomach and making her double forward. Mabel can only go “oh”, as all of her oxygen is already out. After 5-6 critical punches she finally falls to the floor, grabbing her attacked midsection, eyes closes, unable to breathe. The voice on the phone says “Agent Mabel, agent Mabel, please respond” to no avail. Camera fades out in Mabel’s winded face.

Part 2 (about 3 minutes)

Camera fades in Mabel, back against the wall, arms secured and tied in crucified position (as you can do, in the central column of your hall, but please tie her up in such a way that she doesn’t have to hold her own hands up). The voice on the phone wakes her up “Agent Mabel, agent Mabel, please respond”. Rob-Cyborg approaches and raises Mabel’s face by grabbing her hair. Mabel shows difficulty to speak, but is still defiant. “Hey… missed you…”.

The Cyborg starts a new full minute attack on Mabel’s stomach, placing himself close to her body and pumping punches into her upper stomach again, one per 2-3 seconds. Mabel produces short, contained reactions, as if she was trying to swallow her own grunts. She hunches first, as if she was trying to absorb the punches. But then she loses strength, and her head slumps forward. As the punching continued her head falls back, eyes wincing, the rolling back, as the lack of oxygen starts to take toll.

The camera follows this pattern:

First plan of Mabel’s stomach being punched over and over, from above her bust (as if it was the punching Cyborg’s eyes).

First plan of Mabel’s exhaustion face.

First plan of Mabel’s stomach being punched over and over, from the side (but very close).

Mabel being punched, seen from about 1 meter above her head.

Mabel being punched, seen from below, camera at about knee height.

Back to Mabel’s exhaustion face.

Rob stops. Mabel coughs once, softly. Amazingly, she is still awake. She manages to say “Ti…red…---asshole?”. Rob resumes the punching, this time with uppercuts aimed right below Mabel’s breasts, inside the arch formed by her ribcage, at a faster speed. This destroys her resistance, but as she is very strong, she is very slow going out. She first gasps (breathing-in in short rasps), and then she can only produce shorter and shorter “oh” sounds, showing she is increasingly unable to breathe. When her legs start to give, Mabel’s face rests on Rob’s shoulder. After another full minute or more, she can only make instinctive sounds, as Rob’s fist enters her body, and then sigh, as his fist leaves. After a while, she becomes hanging.

The camera follows more or less the same pattern as above. And the camera fades out on Mabel’s glassy eyes, semi-shut, as she keeps absorbing the punches.

Part 3 (about 3 minutes)

The camera fades in the sounds of Mabel’s weak groaning. The camera is coming from somewhere else, then enters a room where Mabel is sitting on a couch, her arms spread sideways over the back of the couch’s top, and tied somewhere behind the couch. Her jacket is gone, but not her earphones. Rob is sitting on the couch by (or standing near) her, punching her in the stomach, with only 2-3 seconds of separation between punches. The punches seem to enter deep into her. Mabel looks exhausted, weakly groaning after each punch, then softly sighing as the fist leaves her body.

A “digital connection” sound comes up (as in a Whatsapp or text message), and the voice on the phone says: "Agent Mabel, we have lost contact for almost 30 minutes, where are you?". Mabel replies (the punching continues when she speaks) "All… fine… only… a machine… is hitting… my stomach… non-stop…". The voice on the phone continuers "Agent Mabel, please resist, we will organize your extraction as soon as possible". Mabel tries to continue “Quit… the call… (cough)”. But 

Rob raises the rhythm of the punching in Mabel’s stomach, and she loses capacity to speak.

Mabel goes “Oh God… my stomach…” and she slumps forward, absorbing the punches the best she can. With each punch a wave of oxygen comes out if her system, causing her cheeks to fill up and her mouth to go “ooofffhh”.

The camera follows this pattern:

Full scene, taken from Mabel's front, no more than 1 meter away from her.

Close plan of Mabel's stomach, seen from her side.

First plan of Mabel's face.

Full scene, taken from the back of the couch, no more than 1 meter away from her head.

After a dozen punches like these, Mabel is groggy, at vanishing point, no more oxygen and no longer in control of her body. Rob grabs Mabel´s hair and makes her to lean against the back of the couch. Mabel’s eyes are only semi-open, softly sighing. She says “What… kiss?”. But Rob starts to pump punches in the pit of Mabel’s stomach, right in the hollow point formed by the top of her stretched ribcage. Mabel is almost breathless, only wincing and opening her mouth to an “oh”, her head thrown back on the back of the couch, her eyes slowly shutting down.

The camera follows this pattern:

Full scene, taken from Mabel's front, no more than 1 meter away from her.

Close plan of Mabel's stomach, seen from the above her head.

First plan of Mabel's face, wincing, then winded.

Full scene, taken from the back of the couch, no more than 1 meter away from her head.

Close plan of Mabel's stomach, seen from the front, camera situated close to her knees.

First plan of Mabel's face, seen from above, as she slowly loses conscience.

After a dozen punches, a line of water starts to drip from Mabel’s mouth. Then she slowly becomes unresponsive. Rob continues the punching and the camera fades out in Mabel’s face, glassy eyes, being punched while almost wihout feelings, drool falling from the side of her mouth.

Part 4 (about 3 minutes)

The camera fades again in the sounds of Mabel’s weak groaning. Now Mabel is lying down flat on a mat, or on the floor. Rob is sitting or kneeling by her side, holding Mabel’s arms above her head with one hand, and punching her stomach with the other, once every 4-5 seconds. Mabel seems to be barely conscious, and unable to physically resist. The punches seem to encounter no resistance, digging way in her stomach. Every punch produces in Mabel a short voice reaction and a long sighing.

The camera goes around the scene, taking Mabel’s continuous punching from different perspectives, until Rob stops and lets Mabel go, for no apparent reason. Mabel slowly rolls on her side, covering her stomach with both arms, wincing but not complaining. The camera makes a close-up of her face and her arms covering her stomach.

After a break of no more than 10 seconds Rob makes Mabel to stretch flat again. Mabel goes “I… was… missing you…”. He resumes the punching in her upper stomach, aiming with hard precision right below the arch formed by her ribcage, at a perfect timing, one punch every 3-4 seconds. Mabel slowly loses control of her body, her head thrown back, her reactions showing she is getting weaker and weaker with each punch. The punches encounter no abdominal resistance, digging way in her stomach, but she is still awake, producing weak groans and sighs.

The camera takes this part of the scene toggling from different angles again, always close to Mabel:

From behind Mabel’s head towards the rest of her torso.

Close-up of her stomach being punched.

Close-ups of her winded face.

From close to Mabel’s legs towards the rest of her torso.

From above the scene, picturing her body getting punched.

Close-ups of her face drooling.

At a certain breaking point for Mabel’s body, she says “S-top… my stomach… you’re gonna destroy me…”. Rob pauses, Mabel breathes in and says defiantly. “Fuck you… tin box…”. With no emotions shown, Rob resumes the punches at greatest speed, about 1 per second. Thes punches totally freeze Mabel’s capacity to grunt. Her eyes shut down and her mouth opens up, instinctive sounds coming from within her, a line of water coming off the side of her mouth. As the final phase of the punching continues, Mabel can only receive the hits with minimum reaction (but still with reactions that she can figure herself), until she very slowly falls without feelings. The camera fades off with a few final seconds of perspectives on her defeated body flat on the floor.

The camera takes for the last phase, always close to Mabel:

From beside Mabel (camera at floor level), a long take.

From behind Mabel’s head towards the rest of her torso, a long take.

Short final take of her defeated body.

Language: Russian with English subtitles

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Mabel endures a Cyborg ordeal of stomach resistance

  • Brand: MABEL
  • Product Length: 15 minutes
  • Availability: In Stock
  • $14.99