I'd like to request another custom clip with LILLIAN.

The duration would be about 20-25 minutes.

The location would be inside an apartment building.

Lillian is wearing the same black leotard, with no pantyhose. Please try not to have panties and bra showing outside the lining of the leotard. She also has a skirt that goes down below her knees, that can be easily removed by undoing a cord at the waist. She has black socks that go up to her knees, and flat black shoes. Her hair is up in a bun, with make-up and earrings, like in "Hands off the dangerous Lora".

There are 2 scenes. In Scene 1, there are 2 guards wearing civilian clothes and with balaclavas covering their faces. In Scene 2, there are two men in civilian clothes with their faces showing, so these can be the same men as from Scene 1.

The speaking can be in Russian or English, whichever is preferred.

Scene 1

Lillian is walking through a corridor when she is seen by two guards, who are wearing balaclavas. One of the guards says " Stop...What are you doing here ?" Lillian says "I have come to see your Boss, where is he located?". The guards laugh. One of them says "Little girl, you are not going to look so pretty once we finish with you". 

Lillian says " I'm going to enjoy this". She undoes the cord on the side of her skirt and removes it, placing the skirt to the side on the ground. She then stands with her hands on her hips and her legs apart. The guards look surprised. Then one of the guards moves towards her.

In the fighting, Lillian is always in control, moving slowly and deliberately, making forceful karate kicks and chops, and with each blow always making loud "Hiyaah!" sounds and grunts of effort.

In this fighting sequence, the guards take it in turns to attack, and each time they are punished. I would like to use some parts from "Enter the Lady Dragon - Lora" :

-From 25min55sec to 26min, when a guard moves towards her, she lifts her leg and kicks him in the head, knocking him backwards. Then she holds her leg in the air for a few seconds, and then slowly brings it down.

-From 26min to 26min15sec, she karate chops a guard in the neck, he falls to the ground, then she puts his head between her thighs, lifts up his arm, pauses for a moment, then pulls his arm down with the sound of breaking bone. She then holds the pose for a few seconds, and then releases his arm, and he falls away to the ground and crawls off. Good to have different views.

-From 32min5sec to 32min15sec, a guard grabs her arms from behind, she elbows him 3 times in the stomach, and strikes him in the head with her arm, knocking him backwards.

-From 33min to 33min20sec, as the guard approaches, she karate chops his neck. Then she grabs his arm and pushes his head down, gets into position, and pulls his arm up with the sound of breaking bone. Then she pauses for a few seconds, and then breaks his wrist. Then she pauses for a few seconds and breaks his arm. Then she holds the position for a moment, and releases his arm and he crawls away. It would be good to have different views, and to see the shocked expression of the other guard looking on.

-From 35min55sec to 36min20sec, the other guard starts to slowly back away. She moves forward and kicks him in the head a few times knocking him back against the wall. Then she raises her leg straight out to wrap around his neck. He is making groaning sounds and she is grunting each time she increases the pressure. She says "Tell me where you Boss is?" He says "Go to hell". Whilst in the same position,  Lillian turns her head to face the other guard and says to the other guard "Say goodbye to your friend". She then turns her head back and makes a large grunt as she applies extra pressure with her leg to his neck. There is the sound of his neck breaking and him groaning. She holds the pose for a few seconds holding him up with her leg, and then releases her leg and the body falls to the ground. It would be good to have different views, along with the shocked expression of the other guard.

Then Lillian slowly moves towards the other guard who is trying to crawl away on his knees. Like in "Lillian the justice" from 5min40sec to 7min, she puts her hand on his head and then wraps her leg around his throat. She makes grunts of effort as she tightens the grip and he is groaning. She says "Where is your Boss?" He doesn't answer and she keeps on choking. Then he finally says "He is on the 12th floor". Lillian says "Thanks", and then makes a big grunt and there is the sound of his neck snapping and him groaning. She holds the pose for a few seconds and then releases him, and he falls to the ground. It would be good to have different views.

She walks over and picks up her skirt, puts in back on, then continues to walk down the corridor.

Scene 2

Lillian walks along and outside a door is a big sized bodyguard, whose face we can see. He pulls out a g.. and says "Halt". Lillian stops. He says "Place your hands behind your head", and she does this. He says "Why are you here?". She says "I have something to ask your Boss". He says "What's it about?", and she says "I will only tell him in person". He pauses. She says "What are you scared of, I'm only an unarmed little girl". He then opens the door and points inside, and she goes through the doorway still with her hands behind her head, and he follows behind with his g.. pointing at her back.

Inside the room,  the Boss is sitting on a couch, which is positioned a few metres away from the wall. We can see the face of the Boss. There is a desk with a computer and a stool. Lillian is facing the Boss with her hands still behind her head, with the bodyguard a few metres to her side. The Boss smiles and says "What have we here?". The bodyguard says "She says she has something to ask you". The Boss says to Lillian, "Well, what is it then?".  She says "I want you to tell me the computer code to your organisation." There is a pause and then the Boss laughs, and says "Take this stupid girl out and shoot her".

The bodyguard takes a step towards her and points the g.. towards the door as if to say to move in that direction. With her hands still behind her head, Lillian quickly turns towards him and then kicks the g.. out of his hand. She then kicks him several times in the chest and head, knocking him backwards onto the floor in a daze. Lillian then unties the cord of her skirt, takes it off, and places it on the end of the couch. By this time the bodyguard has slowly gotten up. Lillian adopts a karate pose. He tries to land blows but can never touch Lillian, and she delivers a series of powerful karate kicks and chops, knocking him down several times.

Like in "Agent Lillian vs Assassins" from 3min to 3min30sec, the bodyguard gets to his feet, tries to punch her, but she grabs his arm, and twists the arm causing the sound of bone breaking. Then she holds the arm and delivers a series of kicks to the chest and head, knocking him backwards so that he is in lying on his back.

The next sequence would be like in "The Clash on the Beach" from 20min25sec to 21min55sec. She walks up and stands on his elbows. It would be good to get his view looking up at Lillian standing over him. Then she squats on his chest and delivers 3 powerful chops to his neck knocking him into a daze. She is sitting on the bodyguard's chest and looks over at the Boss and smiles. The Boss looks back in a state of shock. Then Lillian picks the bodyguard up and holding his arm behind his back, leads him to the stool and places his head over the edge of it. She then adopts the pose to give the karate chop and looks at the Boss and says "Say goodbye to your big bodyguard". She then delivers the ferocious karate chop with a large grunt, and there is the sound of the neck snapping and his groan. She then holds the pose for a few seconds, whilst smiling at the Boss, and then releases the neck , and the body falls to the floor. Different views would be good.

Lillian then stands in front of the Boss, who is still sitting on the couch, with her hands on her hips and her legs apart. She says "Give me the code". He shakes his head to say no.

She then slowly raises her leg and delivers a series of powerful kicks to his face. His head falls backwards so that his neck is on the top of the couch and his head is hanging over the back of the couch. Like in "Lora attacks the enemy base" from 2min50sec to 3min30sec , she starts choking his neck with her outstretched leg, pushing his head over the edge of the couch, whilst she is supporting herself with one arm on the top of the couch. She grunts when she applies more pressure as he is choking. When he starts to fall down, she releases the hold, and he slumps forward. Different views would be good like in the Lora clip.

Lillian stands in front of him with her hands on her hips and her legs apart. She says "Are you going to tell me?". He shakes his head to say no. She then grabs an arm, hold it out straight and then does a ferocious kick to that shoulder. There is the sound of bone breaking, then she releases the arm and it falls limply to the side. Then she does the same with his other arm. Then she places herself on the couch directly in front of him, with her knees on the top of the couch, placed on the outside of his thighs, so that she is straddling him. She then looks directly into his eyes and starts caressing his face, and says in a sympathetic way, "Come on, tell me code, I don't want to have to keep on punishing you". He says quietly "What do I get in return?". She says "I will finish you quickly". She is still patting him gently. There is a pause and then he says "The code is "9464BC". She softly says "Good boy, soon it will be over".

Lillian grips the side of his head, and makes a large grunt and violently twists his neck. There is the sound of bone breaking and him groaning. She then holds his head for a few moments, and then slowly places it backwards to rest on the couch. She then gets up, puts her skirt back on, and walks out of the room.

THE END

Language:  Russian with English subtitles