female fighting stories

  • Men are totally helpless in front of me

Custom clip request. 

Hello Lesley,What about a clip similar to Karate Girl 2, with only kicks to head and stomach, and only ten minutes in length. No POV required. Just one or two different camera angles for each shot. Could you wear the same outfit as you wore in your more recent clip, "Secret Agent Lesley. The Pile of Losers." please. I would like everything to be as it was in the Agent Lesley Part 1. The man wearing exactly the same clothes, and in the same location. I would like the man to wear the same blue jeans and shirt as in end_karate2 and for the second five minutes to switch to the black jeans as in Agent Lesley Part 1. I would like you to apply all the strikes , first to man in blue jeans, and then repeat the same with the man in black pants.

Strike 1 Man standing in centre of room, his back to camera, legs spread very wide as wide as they will go. [See pdf. pages 1-4] Woman walks in front of him, smiling seductively. He raises his hand to stop her approaching, [See Page 5] The woman, however, keeps coming, and kicks him in the head, then punches him in the stomach. Man drops to his knees and spreads as wide as possible. [See page 6] Woman walks behind him and places her foot to his back and shoves him forward, on all fours. She walks forward, graps him by the hair/balaclave lifts him up and kicks him in the head. He falls back over, on to his back, his legs spread wide, unconcsious. [Page 7] Woman walks slowly around the man, casually, then places her foot on the buckle of his belt to show complete domination. The camera will show a ground shot, from a distance, showing right between the man's spread legs, and will slowly move closer to a close up of his groin, with Lesley's foot on the belt buckle. [See page 8 ]

Strike 2:Centre of the room. Woman kicks man in the stomach. He stoopes and she kicks him in the head. He falls back against the wall, legs spread wide. She puts her foot to his throat. Mans's legs spread wider the more she presses on his throat. Camera shot from floor upwards between the mans legs, showing them spreading wider and wider, as man is being slowly soothed . The ground shots looking up at spread legs should be a full shot, that is, it should show not just the front of the crotch but the buttocks as well. The man falls to a sitting position. She kicks him in the face, and he falls and rolls over on to his back.This time, however, his legs are not spread wide, but just a little apart.The woman stands between his legs and adopts a wide karate stance, and in doing this she spreads the man's legs wide. [See Page 9 & 10]

Strike 3: Lesley delivers a quick succession of kicks and punches to stomach and head, and man falls down to his knees, then on all fours like a , totally exhausted. She puts her heel on his back and presses him face down on to the ground. [See page 11] She walks away, slowly . The man crawls angrily after her but when he reaches her, he lifts his head and looks up at her , angrily, threatening her, but she casually kicks him in the ass and as he collapses his legs spread as wide as they will go. She comes back and places her foot on his ass.The camera does close ups of this, as in pictures. [See pages 12-19]

Strikc 4: Man standing, facing woman, his legs spread very wide. Punch to stomach. He doubles over. Uppercut. He falls back on the ground, legs almost together. She stands between his legs, and spreads them wide with a karate stance. [See pages 9 - 10] Then, standing between his legs, and facing him, she places her foot on his stomach, then stretches her leg so her foot is on his neck. Camera angle : floor shot, showing his legs spread really wide and her foot on his neck. He struggles and she presses on his neck harder . Suddenly he stops struggling and spreads his legs out wide. He is beaten. At this point Lesley walks around his body, then, standing between his wide spread legs, she very gently places her foot on his groin and raises her arms in a victory pose.

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Men are totally helpless in front of me

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