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Title: She Wants The Diamonds

Part 1.  You are a beautiful agent who enjoys tracking down and destroying men with your bare feet to get what you want.  You are known to be a danger and one of your enemies has sent a ninja to get rid of you.  You know this and are going to use the situation to your advantage.

 You are standing in front of a bar in your living room, pouring a glass of wine.  You’re wearing a tiny sexy dress (black or white), bare legs, barefoot, toenails painted red.  Your back is to the front door (the door is behind you).  The door opens quietly and the ninja sneaks in quietly and moves towards you.  You sense he is there and smile to yourself, but pretend to ignore it, your back to the ninja. Then you slowly put down your glass of wine.

 In a close up of your feet, you slowly press the toes of one foot against the floor and raise up your arch, flexing your foot, as though getting ready to strike.  As the ninja approaches, you say softly, “I have been expecting you.”  The ninja freezes.   For a moment, he doesn’t know what to do.  Then, without looking back at him, you suddenly do a strong back kick right in his face that sends him slamming into the wall behind you.   He is stunned.  You hold your foot in the air, toes flexed back for a moment, then slowly lower your foot.  You turn around slowly, the ninja is trying to get himself together, then tries to attack.   You don’t give him a chance, and kick him swiftly in the head several times.

The ninja gets up – or tries  – a few times, and you kick him down over and over, enjoying every minute.  Sometimes you kick him before he stands up.  He tries to attack but cannot touch you.  You are too fast and always kick him first.  Finally, he reels back then drops to his knees, dazed.  You say, “That’s better.  That’s where I want you.”

While he is kneeling in front of you, you raise your foot slowly and get ready to kick again.  You seem to enjoy watching his fear.  Then you kick hard and he falls back on the floor.  (also show this from his point-of-view).  You walk slowly over to his head (close up of feet), and push his head from side to side – he’s still conscious but very dazed.  You then push your toes under his ninja mask and slowly pull the mask off with your foot, revealing his identity.   He tries to stop you by pushing your feet away with his hands, but you kick his hands away.  After the mask is removed, could use make up effects and show a bruise on his face?  “It’s nice to meet you,” you laugh.  “Now get over here...”  You grab him by the hair and start walking over to your couch, pulling him along and making him crawl behind you.  “Now crawl.  That’s a good boy.”

You throw the unmasked ninja to floor at the end of the couch so that his head is leaning back on the couch.  You sit at the other end of the couch, hook one foot under his neck so that his head is resting on your ankle, bending your toes back to keep his head in place.   He is moaning softly.  You wrap the sole of your other foot across his mouth and say, “Sshhh – you will speak when I want you to. I’m glad you came and visited me today.” (you laugh softly)   Show this also in close-up.  “Because you will tell me where your friends are hiding the diamonds.”  You remove your foot from his mouth and the ninja says, “No, no…”

 “That is not the right answer,“ you laugh. “Unfortunately for you, I know just how to find out.”  Then you do something with the toes of your foot to apply pressure to his head or face or neck.  Also show in close-up. You don’t even look at him while you do this – you’re looking around, maybe at your nails, fixing your hair, smiling. He reacts by tensing his body and trying to scream, but no sound comes out.   You stop for a moment.  The ninja is in bad shape, terrified.  “Again?” you ask, mockingly?  (You do the same move a second time) “Again?” you say another time. “Please, no…” he begs.  You wait a moment, then start flexing your toes near his face again.  The ninja breaks down and tells you “They’re at (make up fake address).”   “Thank you for being so cooperative,” you mock.

You get up from the couch, smiling, and go back to the bar and pick up your wine glass.  Then you walk back to your helpless victim and take a sip of wine.  After a moment, you stand in front of him and slowly raise your foot.  He knows this is the end.  A quick strike with your foot to the camera and the screen goes black.